TRAVERSI, Gaspare
Italian Painter, ca.1722-1770 Italian painter. He was apprenticed to the elderly Francesco Solimena, whose late style, a reinterpretation of the Baroque art of Mattia Preti, influenced his earliest works. At the same time he studied the naturalist painters of the 17th century: Preti himself, Giovanni Battista Caracciolo, Jusepe de Ribera, Filippo Vitale and Francesco Fracanzano. Classical art also attracted him, and in the 1740s he began to make journeys to Rome to study the influential works of Bolognese and Roman classicism: paintings by Guido Reni, Guercino and the Carracci family, and by Carlo Maratti. During one of these visits he copied two pictures by Maratti, then in S Isidoro, Rome: the Flagellation and a Crucifixion . In the following year he was in Naples; three canvases of scenes from the Life of the Virgin (Naples, S Maria dell'Aiuto), one of which is signed and dated 1749
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TRAVERSI, Gaspare Salome mit dem Haupt Johannes des Taufers oil painting


Salome mit dem Haupt Johannes des Taufers
ca. 1760(1760) Medium Oil on canvas cyf
Painting ID::  81572 		TRAVERSI, Gaspare
Salome mit dem Haupt Johannes des Taufers
ca. 1760(1760) Medium Oil on canvas cyf
   
   
     
TRAVERSI, Gaspare Portrat des Fra Raffaello da Lugagnano oil painting


Portrat des Fra Raffaello da Lugagnano
ca. 1750(1750) Medium Oil on canvas Dimensions 38 x 26 cm cyf
Painting ID::  81578 		TRAVERSI, Gaspare
Portrat des Fra Raffaello da Lugagnano
ca. 1750(1750) Medium Oil on canvas Dimensions 38 x 26 cm cyf
   
   
     
TRAVERSI, Gaspare The Seduction oil painting


The Seduction
circa 1752(1752) Medium oil on canvas Dimensions 35.5 X 43 in cyf
Painting ID::  97182 		TRAVERSI, Gaspare
The Seduction
circa 1752(1752) Medium oil on canvas Dimensions 35.5 X 43 in cyf
   
   
     
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     TRAVERSI, Gaspare
     Italian Painter, ca.1722-1770 Italian painter. He was apprenticed to the elderly Francesco Solimena, whose late style, a reinterpretation of the Baroque art of Mattia Preti, influenced his earliest works. At the same time he studied the naturalist painters of the 17th century: Preti himself, Giovanni Battista Caracciolo, Jusepe de Ribera, Filippo Vitale and Francesco Fracanzano. Classical art also attracted him, and in the 1740s he began to make journeys to Rome to study the influential works of Bolognese and Roman classicism: paintings by Guido Reni, Guercino and the Carracci family, and by Carlo Maratti. During one of these visits he copied two pictures by Maratti, then in S Isidoro, Rome: the Flagellation and a Crucifixion . In the following year he was in Naples; three canvases of scenes from the Life of the Virgin (Naples, S Maria dell'Aiuto), one of which is signed and dated 1749

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